Kill la Kill is the epitome of problematic media, and I straight up hated the early episodes (I remember having a “as a feminist, should I be watching this?” crisis about 3 episodes in), but I’m glad I stuck with it, because where the story goes is kind of amazing. And Satsuki Kiryuin is one of the best characters everrrrrr. *_* I love her.
Post SDCC doodle, recovery starts … mnnnow.

Kill la Kill is the epitome of problematic media, and I straight up hated the early episodes (I remember having a “as a feminist, should I be watching this?” crisis about 3 episodes in), but I’m glad I stuck with it, because where the story goes is kind of amazing. And Satsuki Kiryuin is one of the best characters everrrrrr. *_* I love her.

Post SDCC doodle, recovery starts … mnnnow.

cosslemons:

Unearthing drawings from the middle of the year and finding fanart of your favorite graphic novel hell yeah
I hope I get to take a ghost to my first day of hs too

Adorable! :D

cosslemons:

Unearthing drawings from the middle of the year and finding fanart of your favorite graphic novel hell yeah

I hope I get to take a ghost to my first day of hs too

Adorable! :D

bryankonietzko:

Faith Erin Hicks graciously gave me an original, gorgeous page from her ATLA Free Comic Book Day issue for Dark Horse. I love her inking style, so this is a real treat to see up close.

:D

bryankonietzko:

Faith Erin Hicks graciously gave me an original, gorgeous page from her ATLA Free Comic Book Day issue for Dark Horse. I love her inking style, so this is a real treat to see up close.

:D

"

And focusing on Marvel and DC at the expense of the dozens of other publishers in comics, and then declaring comics a failure at San Diego Comic-Con, is incredibly myopic. It’s a mistake to think that Marvel and DC are all that mattered, that their new events or announcements dictate the future of capital-c Comics. Marvel and DC are comics, just like the other publishers, and they make some great ones when they let the creators do their own thing. But at this point? You can’t treat them like the entirety of the comics industry, or even two companies that can dictate the future of comics. They run the movies, and that’s cool, but running comics? It’s just not true any more. Image in particular outsells Marvel in the book market as far as trade paperbacks go, and that holds true in the comics market lately, too. That’s no coincidence. People enjoy Marvel and DC, but they want more than Marvel and DC.

If the announcements from the Big Two felt lackluster, but the fans still had a great time, how did comics fail? That sounds like a Marvel & DC problem. Vertical debuted Moyoco Anno’s brand new book In Clothes Called Fat at the show, a comic geared toward adult women. They sold out of Fumi Yoshinaga’s What Did You Eat Yesterday?, a romance/cooking comic. At Image, we sold out of Greg Tocchini & Rick Remender’s Low, an aquatic sci-fi tale, and Nick Dragotta & team’s Howtoons, a comic geared toward getting kids interested in the science through practical play. Boom! burned through Lumberjanes, a comic about girls at camp. These aren’t your normal comics, and people were eating them up.

"

After two bad “Comic-Con was bad for comics!”/”Comic-Con was good for comics!” pieces, io9 lets iamdavidbrothers do his thing, and the result is—surprise surprise—a great piece that’s head and shoulders above the traditional (print) comic coverage on the site*.

(* I specify print because Lauren does really good webcomics stuff over there, because Lauren is great.)

(Source: graemem, via postcardsfromspace)

witchaj:

I got to meet my all time favorite artist, faitherinhicks at Comic Con yesterday!  I hope I was at least marginally coherent.  Thank you for being so awesome! 

Meeting people who have read my comics from the very beginning is such a treat! I can’t believe how lucky I am to have such fantastic fans. :D 

witchaj:

I got to meet my all time favorite artist, faitherinhicks at Comic Con yesterday!  I hope I was at least marginally coherent.  Thank you for being so awesome! 

Meeting people who have read my comics from the very beginning is such a treat! I can’t believe how lucky I am to have such fantastic fans. :D 

Fanart for Gene Yang and Sonny Liew’s graphic novel The Shadow Hero! It came out recently and lots of different artists are doing fanart for it, go here for more info. I really loved the book and Gene is one of my favourite people in comics (we worked together on an Avatar: The Last Airbender short comic for Free Comic Book Day), and I’m a big fan of Sonny’s art, so of course I had to draw the Green Turtle. ;)

Fanart for Gene Yang and Sonny Liew’s graphic novel The Shadow Hero! It came out recently and lots of different artists are doing fanart for it, go here for more info. I really loved the book and Gene is one of my favourite people in comics (we worked together on an Avatar: The Last Airbender short comic for Free Comic Book Day), and I’m a big fan of Sonny’s art, so of course I had to draw the Green Turtle. ;)

bryankonietzko:

michaeldantedimartino:

With #Gurihiru (the #Avatar comics artists) Jessie Flower (voice of #Toph) and Bryan before our #darkhorse signing. #sdcc2014 #vscocam

It was great to see Chifuyu Sasaki and Naoko Kawano, the comic-making powerhouse team known as Gurihiru, and the brilliant Jessie Flower (voice of Toph, as Mike noted, and also the recent voice of young Suyin Beifong)––whom I didn’t recognize because the last time I saw her she was A LITTLE GIRL AND NOT A UNIVERSITY STUDENT! Thanks to Dark Horse for hosting our signing (which also included the great Gene Yang). We had a blast.

I think I babbled something to Jessie Flower about what Toph meant to me as an ex-mega tomboy. It was probably terrible, I should never talk to anyone, haha.… but seriously, Toph rules. 

bryankonietzko:

michaeldantedimartino:

With #Gurihiru (the #Avatar comics artists) Jessie Flower (voice of #Toph) and Bryan before our #darkhorse signing. #sdcc2014 #vscocam

It was great to see Chifuyu Sasaki and Naoko Kawano, the comic-making powerhouse team known as Gurihiru, and the brilliant Jessie Flower (voice of Toph, as Mike noted, and also the recent voice of young Suyin Beifong)––whom I didn’t recognize because the last time I saw her she was A LITTLE GIRL AND NOT A UNIVERSITY STUDENT! Thanks to Dark Horse for hosting our signing (which also included the great Gene Yang). We had a blast.

I think I babbled something to Jessie Flower about what Toph meant to me as an ex-mega tomboy. It was probably terrible, I should never talk to anyone, haha.
… but seriously, Toph rules. 

Congratulations, Superhero Girl

postcardsfromspace:

image

The Adventures of Superhero Girl is one of my favorite comics, and one of the ones I’m proudest to have worked on. It’s by people I love and love working with. It’s the kind of book that shifts the balance of the industry and medium toward what I want comics to be.

I’ve spent a lot of time with Superhero Girl—probably more than any one person who isn’t Faith Erin Hicks or Cris Peter. I read it in black and white when it was first going up online, and then I read it again. And again. I went through every strip to pick the representative handful I could use to argue its case to my boss, and his boss, and the DH costing committee; and all of that was technically before I was its editor.

There are books I edit and then put down; ones I’m not interested in revisiting, or, more often, ones I’ve spent so much process time with that reading them feels redundant. Superhero Girl has never been one of those books. It’s a pick-me-up and a security blanket, the oh-so-readable soft matte hardcover, Adam Grano’s exuberant design (man, there is nothing about this book I don’t love), Kurt Busiek’s glowing introduction. I go back to it when I’m having a bad day, when I want to remember why I care about comics and what they can mean—to me, and as a medium.

Anyway:

Last night, I went to a not-at-SDCC party at my friend Dustin’s place, and as we were pulling up, I got a sudden flurry of texts, because The Adventures of Superhero Girl had just won the Will Eisner Award for Best Publication for Kids (ages 8-12)

I almost burst into tears. I spent the rest of the evening texting Faith and telling everyone I ran into that Superhero Girl had won.

I didn’t make this book. But I am so proud of having played even an incremental role in getting it out there, and I am so happy to see it get the recognition it deserves. The Eisner Awards aren’t perfect, by a long shot; how much they really mean is debatable. But sometimes? Sometimes, they get it right.

Congratulations, Faith, and thank you—more than I can properly express—for the chance to be part of one of the best comics I’ve ever read, and some of the most fun I’ve ever had on the job.

Aw, Rachel. ;_; 

… great now I am crying again. 

postcardsfromspace:

Tony didn’t have a costume for the Friday-night Not-at-SDCC superhero party, so we whipped up this very quick Superhero Boy (or, anyway, a Rule 63 version of faitherinhicks' Superhero Girl)—which turned out to be an exceptionally serendipitous choice.

haha perfect!

postcardsfromspace:

Tony didn’t have a costume for the Friday-night Not-at-SDCC superhero party, so we whipped up this very quick Superhero Boy (or, anyway, a Rule 63 version of faitherinhicks' Superhero Girl)—which turned out to be an exceptionally serendipitous choice.

haha perfect!

michaeldantedimartino:

One of my favorite cosplays at #sdcc2014. #vscocam

We were standing right behind her in line! Super amazing cosplay, actual shaved head!

michaeldantedimartino:

One of my favorite cosplays at #sdcc2014. #vscocam

We were standing right behind her in line! Super amazing cosplay, actual shaved head!